Saturday: no blooms.Sunday: witch hazel
unfurls ribbons
hurling golden notes
at the sky
like spring's sirens.
"People who daily expect to encounter fabulous realities run smack into them again and again. They keep their minds open for their eyes." (Ken Macrorie)


Soon, an iris throat or bee's antenna, dew on Dutchman's breeches or pollen in a butterfly beard.
I spent late afternoon, eyes closed, listening to him read miraculous persona poems voiced by York (William Clark's slave who journeyed with him and Meriwether Lewis across the continent), his Nez Perce and slave wives, his knife and hatchet, the water that fuels us all. His is a gift of language and humanity.
For about two and a half weeks now, Lucy has awakened between 5 and 6 AM. I have nothing against her early rising, but . . . she insists I do the same.
Snowdrops by Louise Gluck
The view of the cove below hides behind branches and trunks. Wind, water, moss cushions, dry leaf-crunch, one woodpecker, and one small plane my only company, I wandered thoughtless, filled with writing about reading and longing to read the flow of water, clump of fungus, animal scat.


By the time I re-entered the fire lane, I felt my mind race toward revision, a tunnel of green opening toward home and writing about reading.
This poem, especially, reminds me of my Daily Snap, in which I capture the glimpse of each day's tiny miracle and hold it, if only for a moment:As I was putting away the groceries
I'd spent the morning buying
for the week's meals I'd planned
around things the baby could eat,
things my husband would eat,
and things I should eat
because they aren't too fattening,
late on a Saturday afternoon
after flinging my coat on a chair
and wiping the baby's nose
while asking my husband
what he'd fed it for lunch
and whether
the medicine I'd brought for him
had made his cough improve,
wiping the baby's nose again,
checking its diaper,
stepping over the baby
who was reeling to and from
the bottom kitchen drawer
with pots, pans, and plastic cups,
occasionally clutching the hem of my skirt
and whining to be held,
I was half listening for the phone
which never rings for me
to ring for me
and someone's voice to say that
I could forget about handing back
my students' exams which I'd had for a week,
that I was right about The Waste Land,
that I'd been given a raise,
all the time wondering
how my sister was doing,
whatever happened to my old lover(s),
and why my husband wanted
a certain brand of toilet paper;
and wished I hadn't, but I'd bought
another fashion magazine that promised
to make me beautiful by Christmas,
and there wasn't room for the creamed corn
and every time I opened the refrigerator door
the baby rushed to grab whatever was on the bottom shelf
which meant I constantly had to wrestle
jars of its mushy food out of its sticky hands
and I stepped on the baby's hand and the baby was screaming
and I dropped the bag of cake flour I'd bought to make cookies with
and my husband rushed in to find out what was wrong because the baby
was drowning out the sound of the touchdown although I had scooped
it up and was holding it in my arms so its crying was inside
my head like an echo in a barrel and I was running cold water
on its hand while somewhere in the back of my mind wondering what
to say about The Waste Land and whether I could get away with putting
broccoli in a meatloaf when
suddenly through the window
came the wild cry of geese.

Not long after, cancer settled in her brain. She didn't surrender to self-pity: she published records of her journey in a newspaper. She didn't stop: she golfed and vacationed. She returned to the Louisiana fields and bayou of her childhood. She delivered notes of thank you and left others for her family.
We reunited friends had such ease with each other after so many years. The love we shared of the place that brought us together and of each other shines in our faces. Now, joined to Sister's memory, I join her son's courage and generosity. In him, there is much of his mother.


My original photograph above; his variation below.
Now I feel like an artist.
Standing near six-figure houses