As the child of, sister of, and aunt of paint manufacturers, I confess this: I love paint -- the tantalizingly acidic smell that sticks in my nose hairs; the pockety-pockety-pockety echo of a working ball mill; the thick swish of large paddles swirling pigments in waist-high mixers; the metallic clang of lids pressed onto cans; the thunder of 50-gallon drums, turned at an angle and rolled along the floor; the rhythmic passes of a printing press; the splotches of paint on concrete floor and machines and work clothes and painters' caps and skin. Short of standing in a factory making paint, placing my hands on a shuddering paint shaker is a meditative joy unlike any other.
And the shaker itself is a delight to the eye.
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